No words (2025)
Group Exhibition

This drawing depicts end credits that are charged with an anxiety-provoking meaning: the phrase "The End" becomes closer and more relevant than ever, in current reality where private existence is undermined and life seems more fragile than ever. The image references the end credits of the iconic television series The Powerpuff Girls, which has aired from the early 2000s to the present. In the series, "The End" appears in a lighthearted, optimistic context, marking the triumph over evil.

“What do we say when words run out? The exhibition No Words holds a poetic irony: just when it seems that silence speaks for itself, words sink in. They are present in every work – inscribed, engraved, floating, vanishing and reappearing. In this space, the word is not merely a vessel of meaning but also a visual form, a material, a sign. No Words operates precisely out of the contradiction it declares. Not only are there words – they shout, or whisper. The word becomes a layered, multifaceted object. It is a raw material: formal, emotional, cultural, political, personal, and even humorous.”

An excerpt from the exhibition text.

Featuring works by: Uri Ben Natan, Anat Betzer, Joshua Borkovsky, Liam Chambon, Karen Dolev, Yitzhak Livne, Michal Naaman, Amikam Toren, Guy Zagursky